A photographic stylist, or media stylist, helps the photographer set the scene for a photograph or shoot (set of photographs) to capture the mood, style and atmosphere that the photographer wants. They normally specialise in a particular area such as fashion, food or interior design.
You could be:
- studying the brief (instructions) which the photographer provides – the brief might be very specific or provide a lot of scope for ideas
- doing research for a shoot: this could be for an advert in a catalogue, a magazine feature on home interiors, a range of different meals for a cookery book, a publicity shot for a fashion show
- sketching your ideas, either by hand or using a computer, to show others such as the art director and scene builders
- choosing props and finding out where you can hire, borrow or buy them – including clothes for models or unusual items such as fake snow
- keeping a stock of regularly-used items such as vases, cushions, sunglasses and other common accessories
- in food photography, preparing and displaying meals so they look fresh and appetising, using tools such as water sprays, tweezers and a blow torch
- arranging the set and discussing lighting effects with the lighting technicians, and making sure everything is in the right place
- keeping up to date with the latest trends.
Freelance stylists earn a fee for each project, and nothing between projects. Pay rates for employed stylists vary, depending on the size of company or agency.
- Hourly rates may average around £25 an hour.
- Rates for a photographic stylist would start at around £200 a day for creating photographic displays, rising to around £400.
Salaries in general can range from between £20,000 to 30,000 a year.
- You would work both indoors and outdoors.
- When indoors, you could be working in a studio, office or on a stage or set. Outdoors you could be anywhere as required by the project.
- You might have to travel a lot and spend overnights away from home.
- If you work for a large employer you may work regular office hours.
- In other cases, you would arrange working hours to suit the client, and they are often irregular and long, including evenings and weekends.
- You may have short intensive periods of work, with unemployment in between.
- You have to climb ladders, shift furniture, bend and carry props around and work with paint and glue.
- You must meet strict deadlines.
Workforce Employment Status
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- Entry to junior posts is very competitive and you need sound artistic training.
- There is a wide range of courses in art and design subjects, including National Certificates (NCs), National Qualifications (NQs), Higher National Certificates (HNCs), Higher National Diplomas (HNDs) and degrees. Courses in fashion, clothing or textile design or photography or visual merchandising may be particularly relevant.
- For food photography, you should take a cookery or home economics course first, since you need cooking skills.
- You do not always need formal qualifications to get onto an NC or NQ, although some courses may require up to 4-5 subjects at National 4 or 5. For an HNC or HND you need a minimum of 1-2 Highers or NC or NQ, and for a degree, usually 4 Highers. Other subjects may also be specified for particular courses.
- For art and design courses, you also need to present a portfolio of work.
- Afterwards, the main thing is to make contacts and to get existing or previous customers to recommend you to others. You might start by helping on a voluntary basis in projects at college, and go on to working as an assistant to a photographer.
- A driving licence is useful and may be necessary.
For art school courses you need to apply through UCAS. Some courses have a closing date of 15th January and others have the closing date of 24th March.
Workforce Education Levels (UK)
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What Does it Take?
You need to be:
- artistic, creative and imaginative
- knowledgeable about photography and lighting
- well organised and able to work calmly under pressure
- practical and good with your hands
- patient, with good concentration
- good at negotiation and networking
- good at communicating with people at all levels
- able to meet deadlines and manage a budget
- confident, determined and self-motivated.
Training is mostly through experience, on the job.
- Most photographic stylists work freelance; progress means getting bigger contracts, through building up your reputation and developing your portfolio.
- If you work for an agency you might get promotion to head stylist, art director or designer.
- You could move into consultancy work.
- After you have experience, you might want to move into a related job such as display, merchandising or exhibition work.
- Personal contacts are important in building up your reputation and getting work.
- You must build up a good portfolio to show to possible employers.
The following organisations may be able to provide further information.
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